#MARGOT ROBBIE NO MACKUP MOVIE#

is going to get Phoenix back in clown makeup, it will cost the studio $20 million. The film went on to earn more than $1 billion and landed the actor an Oscar. When he first portrayed Gotham’s most infamous villain in 2019’s “Joker,” Phoenix earned $4.5 million. Now, Momoa will pull in $15 million for his sophomore trip to Atlantis. Jason Momoa had an option to appear in a sequel to “Aquaman” as part of his initial deal, but after the first film topped $1 billion, he renegotiated his pact to essentially double his salary to carry the trident once more. In success, stars reap rewards in other ways. Yet it also puts a cap on their potential earnings if, say, “Killers of the Flower Moon” is a globe-straddling phenomenon. That eliminates the risk that their movies will collapse at the box office, which would theoretically deprive them of all those bonuses. And all of the streamers are essentially paying out the actors’ backends. Apple has included clauses in some contracts that make bonuses contingent on films coming in on time and on budget.

#MARGOT ROBBIE NO MACKUP MOVIE#

In addition, he will receive millions more for producing the film and earns a fee on top of that to promote the movie on his social media channels.īut those gaudy paydays come with caveats. Johnson, for instance, asked for and received $22.5 million to play the lead in “Black Adam,” a DC superhero movie. Studio executives concede that the payouts at Netflix, Apple and their ilk have caused some actors to raise their quotes. Apple will pay Leonardo DiCaprio $30 million to reteam with Martin Scorsese on the historical drama “Killers of the Flower Moon,” as well as shell out $30 million to Brad Pitt for getting behind the wheel of a currently untitled Formula One drama from “Top Gun: Maverick” director Joseph Kosinski and $35 million to Will Smith for appearing in the escaped-slave thriller “Emancipation.” Not to be outdone, Netflix will pony up $20 million for Chris Hemsworth and $10 million to Millie Bobby Brown to reprise their roles in the upcoming sequels to “Extraction” and “Enola Holmes.” The streaming wars have been very good for their bottom lines. That doesn’t mean that movie stars need a bailout. The problem is that even though those actors are surefire draws any time the Avengers assemble, they can’t always attract a crowd when they try to leverage their success in other genres. But things have changed since Marvel took the box office hostage in the early aughts, putting an interchangeable array of Chrises in spandex and masks. Cruise’s pact is a vestige of a time when stars, not superheroes, were the reason that audiences flocked to movie theaters to see a new release.

Margot robbie no mackup